The research background for the events undertaken and journaled for this residency is the raw material I work with. If all goes well, in Verdearte, in Italy, the end artifact is going to be something about the cool blue of paint and the green of trees. In Delhi India, the artifact would be about brilliant color and muted water tones. The sounds of the Italian forest and the Indian water are not yet in my hands but I eagerly await them. The artifacts are where I apply my conventional artistic skills and can draw attention to concerns but they are not the end goal. The end goal is to see green results.
An editorial In The Guardian by Stephen Bayley opens with the assertion that jet travel "damage (it does) to the environment (with carbon emissions that cause global warming) is insupportable"
http://tinyurl.com/h9vr9 . This welcome news that others are as concerned as I am comes from my indefatigable friend, the writer Paul Challacombe, who supplies me with articles on a regular basis.
I have heard from Khoj International of their progress and generosity in finding recordings of the river there. Hemant writes, "Aastha is back from the Nepal workshop where she had done a very energetic community radio session She can take field recordings at different points where the river interfaces with the city."
The water of Delhi, which is a city of over 15 million people, is divided into many districts, with New Delhi being the seat of Indian government. It is supplied by the Yamuna, a tributary of the Ganga and as holy. Both are nortoriously polluted. Meanwhile, extraction in response to the tremendous population pressure forces the city to tap into ground water.
We have faced similar problems here on my small Maine island. we are a sole source aquifer and salt water intrusion as groundwater is tapped ever deeper is a serious concern. I know how excessive extraction can be a disaster waiting to happen. As populations continue to increase everywhere and watersheds become fragmented, water for future generations is depleted.
The same paradigms are being enacted world wide. Arguably, Delhi's situation may be among the most dramatic because of the scale of ecological threat. Therefore it is very interesting to me to study the problem there. The problem there is only exacerbated by a run of dry seasons as climate changes.
The problem with using polluted water, as Delhi and most other metropolitan regions globally know, is that filtration is not only expensive but reduces the total quantity of available water. This global problem of loss of fresh water is ironic because the glaciers are pouring melted pure, clean water into the seas at astronomical rates, which returns us to carbon emission issues.
One of the reasons the question of jet fuel pollution is so critical, besides the consequences for the planet of increased emissions, is that the residue of pollution from jet fuel effects the international water supply. I have not seen specific figures but it has to contribute to the reduction of water quality world wide.
I have been discussing various options with the people at Khoj International, to continue to draw attention to the water problems they have. As I research how they are addressing the situation my ideas continue to change. That will likely be the case into the next month, when other artists will arrive there.
As with the experiments I am exploring for Verdearte in Pescia, Italy, I am interested in our global interdependence upon each small part. Each chestnut tree in Pescia has a direct relationship to mitigating the problems I have sketched above. Each incidence of water extraction in Delhi has consequences for the global matrix of fresh water supply. Each plane trip taken by anyone around the world degrades the water that feeds each tree, each human on a planetary basis.